![]() It begins with the thematically neat disclaimer that "this whole story is completely true. Still, Inventing Anna is not lacking for playfulness: at once, it manages to be a largely gripping recounting of the original scam, that will satisfy anyone who eagerly lapped up Pressler's feature, and a sophisticated dissection of a postmodern media event. But in covering Sorokin's stratospheric rise to global infamy, it seems odd that the show never refers to itself: after all, it could end up being the key work in her pop-culture immortalisation. And now – with Anna having served her jail term, but back in detention for overstaying her US visa – comes this long-awaited nine-episode Netflix miniseries created by super-producer Shonda Rhimes and starring the hotly-feted rising star Julia Garner as Anna. Then there was the 2019 trial, in which Anna amplified her cause célèbre status by employing a courtroom stylist – and was found guilty on eight counts. No, the story of Sorokin is as much about her becoming the story: the "invention" of her as a totemic 21st-Century figure by journalists, lawyers, online culture – and, of course, Anna herself.įirst there was the 2018 New York Magazine article by Jessica Pressler, which introduced her to the world at large and created a social media frenzy. For, as the show recognises, from its opening shot of rolling magazine presses, the story of Sorokin is not just about the facts of her fraudulence, juicy as those are – how, as a go-getting twentysomething, she conned New York society, and its moneymen, into believing she was a super-rich German trust-fund baby with the capital to set up a vast arts centre in Manhattan. I am filing this lawsuit to hold Netflix accountable for its deliberate recklessness.If there's one big omission in Inventing Anna – the new drama about the "fake heiress" Anna Delvey, aka Anna Sorokin – it's that it fails to dramatise the making of TV drama Inventing Anna. The truth matters and portraying real people requires real responsibility. ![]() ![]() Speaking to The Hollywood Reporter, Williams said “Netflix purposely used my real name, and real aspects of my life, to create a totally false and defamatory characterization of me. The complaint, filed in federal court in Delaware, read “this action will show that Netflix made a deliberate decision for dramatic purposes to show Williams doing or saying things in the Series which portray her as a greedy, snobbish, disloyal, dishonest, cowardly, manipulative and opportunistic person.”Īccording to the lawsuit, the program contains 16 different sets of false allegations regarding the former photo editor of Vanity Fair. Williams asserts that almost all of the details of her character in the Netflix series are made up. In an effort to fund her lifestyle as a wannabe socialite, she falsely claims to be a German heiress, defrauding not only her acquaintances but also banks and companies. The documentary “Inventing Anna” follows Delvey, whose actual name is Anna Sorokin, as she connives to get by in New York City. Williams penned a book titled “My Friend Anna: The True Story of a Fake Heiress” and published an article with Vanity Fair about her interactions with Delvey, 31, prior to the publication of the May 2018 New York magazine story on which the play was based. The convicted New York City con artist duped Williams, out of $62,000.
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